Caves and their Secret as Attested to by the Bank of America - Part One

The Open Scroll Blog

Continuing from the previous post...

It has been well established by Tom Horn and others that the Bible and other ancient literature warns about demonic beings who await the season of their release from caves. That such are appointed to execute judgment in the earth is attested to by the immense prophetic tapestry in the UN Security Council chamber. The artwork featured on three panels found inside the Bank of America Corporate Center in Charlotte, NC present yet another set of prophetic scenes as a validating witness.

The esoteric nature of these panels was brought to my attention as some watchful friends pointed me to this page, Prophetic Art in Bank of America. The author recognized a new world order plot, posting pictures of the three panels and an interpretation of their meanings. Here, I'll focus and expand upon the meaning of the third panel.


See the sleeping giant in the hillside? The work being done intends to release such giants from their present state of reclining inside the mountains, from under the earth. At first glance, it appears as though the activity is the digging of a trench or pit. Upon closer inspection, you'll discover that no one is actually digging. It's a different sort of event.


The only men we can be sure are actually laboring in this panel aren't shoveling but rather appear to be pulling on something. Those with what we recognize as shovels are holding them with the business end straight up. Even what looks like a pick-axe has the business end up and idle. This is just as well because you're not really want to do much with a gold work tool anyhow. The guy holding the wrench we can assume is a mechanic. If you look closely, you'll discover that the men seem to be wearing something red or reddish except for two, who, as best I can tell, appear to be shaking hands. There are nine gold tools pictured. These are all clues to interpreting the sinister plot concealed and revealed through this corporate art.


This panel compares to the tapestry hanging in the UN Security Council chamber. The men in the panel pulling something we're not shown compares to the guy in the UN tapestry (at far left) who is holding or pulling a rope. He's helping those below ascend out of the pit to be welcomed and celebrated. At the tapestry's far right stands a man idly holding a shovel and pick-axe. He stands in the pit, on the highest step. He compares to those idly holding the pick axe and shovels in the B of A panel. When you understand the gold shovels, you will recognize this creepy panel as a secret groundbreaking celebration at the release of the giants.

The gold shovel is a ceremonial shovel. It's very common to see gold shovels at construction projects during groundbreaking ceremonies, usually wielded by sponsors of the work and local dignitaries. Freemasons, as inheritors of the guild of Masons and their esoteric wisdom are often if not always present at such events. No strangers to such ceremonial gatherings, a Freemason of any standing in the community should readily perceive the panel's scene as a groundbreaking ceremony.

This panel really celebrates a groundbreaking event that follows after the customary early milestone in the work, marking when a key objective has been reached. This groundbreaking scene celebrates when the imprisoning ground has been broken through and the work of releasing those trapped underground has begun.

A gold shovel held with its business end up presents us with what's known as a standard. Such a thing is held by standard bearers marching in a royal or religious procession, or at the head of a military column. The standard honors and identifies the authority under which those in a company are assembled. The standard is also the emblem or flag of an army, raised on a pole to indicate the rallying point in battle. You'll see an example here, "loyal orange lodge orangeman standing holding standard watching parade during 12th july orangefest celebrations in dromara county down northern ireland" and in this poster showing the Quadriga above Berlin's Brandenburg Gate.

1) The vision which Esaias son of Amos saw against Babylon.
2) Lift up a standard on the mountain of the plain, exalt the voice to them, beckon with the hand, open the gates, ye rulers.
3) I give command, and I bring them: giants are coming to fulfil my wrath, rejoicing at the same time and insulting.
4) A voice of many nations on the mountains, even like to that of many nations; a voice of kings and nations gathered together: the Lord of hosts has given command to a war-like nation,
5) to come from a land afar off, from the utmost foundation of heaven; the Lord and his warriors are coming to destroy all the world.
Isaiah/Esaias 13:1-5 (LXX - Brenton)

Is that not the theme passage of this panel's esoteric depiction?

The lower part of the panel features a background that resembles a satellite map of the earth with blue seas and lakes contrasting with red earth land. This speaks to me that the work is global in scale and that of Mystery Babylon.

Because the setting for this esoteric panel picturing the gold standards is the Bank of America Corporate Center, connecting the dots with the banking industry's "gold standard" is really demanded. This appears to validate the premise of The Secret of Oz by Bill Still. In this video, Mr. Still highlights the yellow brick road theme of "The Wizard of Oz," L. Frank Baum's classic literature. A convincing array of evidence is brought to light that points to the gold standard as a conspiracy to enslave the world by those who control the purse strings.

The shovel blades are in the form of a very conventional shield, which resolves to the more basic delta symbol. Pointing up, these are the standards of the heavenly sons of god, the fallen angels.

Most particularly, the golden shovel blade pictures the capstone of the pyramid, the golden head of Apollo or Horus, the Beast. This is after the manner of the prophetic King of Babylon, Nebuchadnezzar, who was represented in a metallic image in the book of Daniel.

37) Thou, O king, art a king of kings: for the God of heaven hath given thee a kingdom, power, and strength, and glory.
38) And wheresoever the children of men dwell, the beasts of the field and the fowls of the heaven hath he given into thine hand, and hath made thee ruler over them all. Thou art this head of gold.
Daniel 2:37-38

As for the reference to "... a king of kings" this must be seen as a counterfeit to THE King of Kings and Lord of Lords, Y'shua, with Nebuchadnezzar being a foreshadowing type of the Antichrist Beast of Revelation 13:1.

It's his standard we see in the hands of the standard bearers inside the Bank of America Corporate Center lobby. They assemble under his authority at his command to honor him. See the guy up top, the foreman? Let it speak to you that a standard is also the emblem or flag of an army, raised on a pole to indicate the rallying point in battle. The legions of the enemy conquer by peace, and by war.

With further reference to Daniel 2's metallic image and the meaning of the prophetic dream interpreted by Daniel, I perceive another very pertinent allusion in the background of the worker's environment. It's a signal of the union of the sons of god as iron (steel blue) with the daughters of men as red clay.

42) And as the toes of the feet were part of iron, and part of clay, so the kingdom shall be partly strong, and partly broken.
43) And whereas thou sawest iron mixed with miry clay, they shall mingle themselves with the seed of men: but they shall not cleave one to another, even as iron is not mixed with clay.
Daniel 2:42-43

To be continued, Lord willing.